EWAAC 2017 London

Contemporary-II

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Dyeing with Wax. A motif is Window of the ruin. This patterns can catch the sunlight in the Parasol. 
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Work ID: CON17-3084
Category:  Contemporary II
Name: hinaReu
Title: LightRuin
Size:  76 x 80 x 76 cm
Media:  cloth,dye
Price: £210.00
Work ID: CON17-3085
Category:  Contemporary II
Name: Yumi Nagano
Title: Eggs Jack
Size:  400 x 400 x 400 cm
Media:  mixed media
Price: £200.00
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Work using anaglyph of the egg. 
When you watch work,you wear 3D glasses. 

Attack from eggs!! and an act of aggression. Eggs invading the human domain. 
It comes over suddenly. 
The human being is confused for the aggressoin. 
What will the human being do then?? 
we hesitate and an afrid. 
We thought that it was natural,but attack from eggs. 
Attack from the meal・・・
Work ID: CON17-3086
Category:  Contemporary II
Name: Yumi Nagano
Title: Ukitama
Size:  200 x 80 x 50 cm
Media:  Metal and wood 
Price: £ N / A
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Such as an Engine sound and a Fluctuation of Curtain pattern. 
Our daily experiences are filled the Noise 
from generating by Technology. 
It is the Noise to people, 
But the Nature of Noise is used to recognize a Reality to Technology. 
People does not know it. Technology only knows a world of Noise. 
Technology is looking, A point of view had been removed to people. 
A difference in the cycles and a warping visual noise are 
generated by changing LED right. 
When an existence sense was given to something taken 
from the environment, This work is trying what kind of explanation to give person's brain. 
The detail of this work is the following movie. 
https://youtu.be/M4FqCPzA2mw
Work ID: CON17-3088
Category:  Contemporary II
Name: Show Kawabata
Title: Noise;nse
Size:  30 x 30 x 3 cm
Media:  Installation(Plane)
Price: £20.00
This is a chess using natural uncolored parakeet feathers.The chess board is a canvas with blue sky painted.Chess pieces are made of clay.I made this work by imagining the parakeets flying in the blue sky pleasantly.
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Work ID: CON17-3090
Category:  Contemporary II
Name: Tomoko Ishizuka
Title: Parakeet feather chess in the blue sky
Size:  27.5 x 16 x 27.5 cm
Media:  Oil Painting, Acrylic Painting, and Mix Medium on Canvas
Price: £670.00
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My work is the result of past experiences and current concerns. I seek to merge my feelings and concerns in visionary form, whether as landscapes, or abstract paintings or - three-dimensionally - in sculptural glass. 
The images can be interpreted as fragments of memories of the future or the past. 
In the above installation I try to show that lovers, dancers and anarchists have something in common: passion - passion for what they are doing! 
The passion of the lovers for each other, the passion of the dancers for music and dance and the cruel passion of the anarchists for destruction 
In this set of work I try to represent feelings in a colourful and lyrical way. 
I want the viewer to see “happiness”, "love of dancing" and "terror in the streets" . 
Work ID: CON17-3093
Category:  Contemporary II
Name: Gerlinde Behr-Johansen
Title: The different Faces of Passion
Size:  34 x 24 - 26 x 11 cm
Media:  flash glass
Price: £1,800.00
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Work ID: CON17-3095
Category:  Contemporary II
Name:  Createpaint 
Title: Cyclical I
Size:  29 cm diameter
Media:  Thread
Price: £500
This tactile fabric is used to convey a range of thematic approaches. The subject matter varies from vessels, industrial detritus and nature. All of these motives explore a contrast between complimentary opposites such as internal/external, growth/decay, aesthetic/awkward. The works are symbolic of imperfection, impermanence and incompleteness. This can be seen in the undulations of the fabric, the finish of the works or the images themselves.The process of embroidery on a sewing machine creates repetitive mark making with stitches. The lines of thread combine to create a fabric. 

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Work ID: CON17-3096
Category:  Contemporary II
Name: Createpaint
Title: Draw the Link
Size:  50.8 x 26.68 cm
Media:  Thread
Price: £500
This tactile fabric is used to convey a range of thematic approaches. The subject matter varies from vessels, industrial detritus and nature. All of these motives explore a contrast between complimentary opposites such as internal/external, growth/decay, aesthetic/awkward. The works are symbolic of imperfection, impermanence and incompleteness. This can be seen in the undulations of the fabric, the finish of the works or the images themselves.The process of embroidery on a sewing machine creates repetitive mark making with stitches. The lines of thread combine to create a fabric. 

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Work ID: CON17-3097
Category: Contemporary II  
Name: Createpaint
Title: Twisted Wire 
Size:  30 x 22 cm
Media:  Thread on denim 
Price: £600
This tactile fabric is used to convey a range of thematic approaches. The subject matter varies from vessels, industrial detritus and nature. All of these motives explore a contrast between complimentary opposites such as internal/external, growth/decay, aesthetic/awkward. The works are symbolic of imperfection, impermanence and incompleteness. This can be seen in the undulations of the fabric, the finish of the works or the images themselves.The process of embroidery on a sewing machine creates repetitive mark making with stitches. The lines of thread combine to create a fabric. 

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Work ID: CON17-3101
Category:  Contemporary II
Name: Eri Kato
Title: SUKIMA2, a Japanese word for a gap
Size:  400 x 200 x 150 cm
Media:  wood, paint
Price: £240.00
No matter how hard you try to stick two things together without making SUKIMA,SUKIMA will be formed inevitably. Actually,the harder you try to fill SUKIMA,the more SUKIMA you make.SUKIMA, a gap, is considered as a wasted space, but I have a different view of it. SUKIMA is made up of a relative relation of two objects on either side of it, and it is there to accentuate those two objects. Without objects there is no SUKIMA, and vice 
versa.For that reason, I would say that SUKIMA does bring two objects into existence. In this work, I will show you SUKIMA itself cut out from objects.While you put two SUKIMAs side by side, there will be another SUKIMA generated between them, and so on so forth.As SUKIMA grows in numbers, it could be impossible to tell where SUKIMA starts and where it ends.Or it may no longer be SUKIMA? I would like to come to understand what we can feel inside such a seemingly empty space like SUKIMA.​
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Work ID: CON17-3102
Category:  Contemporary II
Name: Eri Kato
Title: Back to the source
Size:  400 x 300 x 400 cm
Media:  styrene board, fishing line
Price: £1,600.00
I ended up the idea that making arts is not what I want to express but what I 
can express after all. The concept of the work is vestiges of simple activities like cutting, ripping,etc.rather than figuration. I simply devote myself to following whatever my hands and fingers are doing so that all those simple activities could finally combine with my memories or experiences piled in me so far.This is my way of going back to the source. 
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Work ID: CON17-3105
Category:  Contemporary II
Name: Kenichi Shikata 
Title: vortexes wall - -
Size:  130 x 140 x 140 cm
Media: Stainless Steel, steel, silicone coating
Price: £ N / A

The wall is most important elements making up this space.
Vortex of mirror sticking out from the wall looks like black hole. It sucks into the whole things, and so everything in place is united with the wall.(vortex wall.jpg)
Other, Three vortexes look like female organ which first contact to human being.
It changes expressions corresponding to the situation of lights and assimilates into the wall. The natural pattern of material itself mixes lights and us, and will make expression of this space.(whorl of shines.jpg)
Also there are solids that exist like hole of someone's.
It is made up of folds like curls that wind around a whirlpool to draw us into the wall.
When touching with a hand, it plays a beautiful tone, and courtship comes. (hole of ones.jpg)
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